Aquefrigide – Dinosaurs
There was a time when records like An isolated and The breed had left their mark thanks to a sound algorithm made of metal, devotions to the 90’s grunge movement and above all fascinating and unusual lyrics in between outbursts anticlerical and nihilistic poetry. A time that, if for a moment threatened to be perpetually remote, Aquefrigide for today is to wake up from oblivion. Dinosaurs, for the creature to Simona La Muta, is a third act consisting of a violent imposition, rejecting any normalization, inside and outside of the near ear is the metal that melts at some modern electronic trends and which is in turn destruction of any transposition fashionable,
especially with regard to the concept of dubstep (Sulking), and the attainment of a post-modern excess industrial (Mai), but also the free fishing of certain hip hop branches next to become angular (Bowie, the leaping ambient pulsations of Demons) if not the rock, from bases 70’s (Vipers, mantra cataleptic introduced by quotations aerosmithiano) http://sewa-organtunggaljakarta.blogspot.com, to today’s statement only seemingly basic, yet no less effective (Poison (Hell Remix)), passing through the lilting desperation of Sale and twisted drum’n’bass Igloo, and that leaves enough space to turn ballad, the cell that serves as Fragile no Elektro shooting at the same time not making it at all free from certain intensity melodic (Pura Vida) (from An isolated). Proper icing on the cake in a scenario where Aquefrigide leaves no escape Dinosaurs and makes a bully and flawless revival. From recuperare.Ursa, she has not negatively affected by the departure of Giuseppe Orlando, while Foreshadowing could only gain by joining education not all evil comes to harm.
Behind you play like this it is clear how certain confirmations constitute more than a hope, just as there is to draw a general conclusive picture of what really gives prestige to the environment. The Fuzz Orchestra, in this regard, are essential. An album to have assolutamente.il war report of The Earth Will Weep, with something extravagant,
Last but not least, a play in two acts like Blackfriars Bridge, and ambient atmospheres from Carpenter’s film on the first beat uneven and unbalanced, then incessant. The wonder, experimentation and credibility for Germanotta Youth is clear as ever will travel on different tracks, and what is shown in an album like that it is an evident proof. Not to be missed.